Easy Pace Russia: The Battle that inspired An Overture

What took place on one single day near a small village west of Moscow turned out to be the beginning of the end for Napoleon Bonaparte, the great military strategist from Corsica who rose quickly through the ranks to become France’s youngest general and eventually its first emperor.

Through a combination of modern-day technology and a painter’s artistic touch, Orna O’Reilly and I, two photojournalists invited by Insight Vacations to document its Easy Pace Russia journey, are transported back in time to September 7, 1812 as French and Russian forces collide on a massive amphiteatre-like clearing near tiny Borodino.

We’re standing on a circular platform at the top of the Battle of Borodino Panorama Musem in Moscow looking down and panning right and left, taking in every detail of a gigantic 360-degree oil painting created by Franz Roubaud, a panoramic master, in 1911.

This tableau of bloodshed, standing 15m tall and stretching 115m around, is impressive. Along with Roubaud’s brush strokes, the added dimension and depth of dramatic set recreations in the foreground, special lighting and realistic sound effects make us feel as if we are actually there, standing alongside Pierre, Leo Tolstoy’s naive, unworldly hero from War and Peace, witnessing the bloodiest battle of the Napoleonic Wars. 

Nearly 250,000 French and Russian forces answered the call that sunny, September day, but when the last cannon sounded and the final saber rattled, nearly 75,000 brave souls had perished on the battlefield.

Napoleon himself summed up the battle best: “The most terrible of all my battles was the one before Moscow. The French showed themselves to be worthy of victory, but the Russians showed themselves worthy of being invincible”.

What was left of the Imperial Army of Russia retreated, burning every hamlet, village and town in its wake, while Napolean’s equally depleted, but tactically victorious, Grande Armée continued its march to Moscow, some 115 km (70 mi) away, only to find it, too, deserted and ablaze.

Holed up inside the Kremlin for five long weeks, Napoleon waited impatiently for an official surrender from Alexander I, Emperor of Russia, but it would never come. Totally frustrated and weary, Napoleon limped back to Paris, in the middle of a harsh Russian winter, leaving behind nearly three-quarters of his original 600,000-manned invasion force dead, strewn about the countryside.

Celebrated historian Oleg Sokolov observed that the significance of the battle came much, much later. “The importance of Borodino,” he noted, “is by literature, by history, by poetry. It’s not so important strategically.”

Mikhail Lermontov wrote a poem, Borodino, that’s read and recited by every Russian schoolchild. Tolstoy made the battle the focal point in his aforementioned epic novel. And, 19th century symphonist Pyotr Ilyich Tchaikovsky composed the world-renowned and easily-recognizable 1812 Overture, complete with cannon fire, that today accompanies elaborate, choreographed pyrotechnics that light up the sky above the annual Fourth of July concert on the Mall in Washington, DC.

The Battle of Borodino, the event that signaled the beginning of the end for Napoleon and, to a lesser degree, the conclusion of our visit to the Panorama Museum, the very last stop on our week-long, Easy Pace Russia journey. I just wish it were the overture and not the finale. 

For detailed information on Insight Vacations’ three journeys to Russia, as well as more than 100 other premium and luxury-escorted itineraries around Europe, just click HERE, or call toll-free (888) 680-1241, or contact your travel agent.

Do svidaniya!

©The Palladian Traveler

Borsalino w/ props SMALL | ©Tom Palladio Images

Note: The Palladian Traveler’s participation in this journey was supported by Insight Vacations, which did not review or approve this article before publication.


Written by The Palladian Traveler

Tom traded his hometown St. Louis Cardinals' baseball cap in the United States for a Borsalino and he now hangs his "capello" in the Puglia region of southeastern Italy. A veteran print and broadcast journalist, with well-worn passports that have got him into and out of 50 countries and counting, Tom fell in love with the "Bel Paese" years ago. As he notes, "I'm inspired by the beauty I find in all things that are very, very old, and reliving history, or at least meandering along the travertine and cobblestone that were laid down over a thousand years ago and just looking up and marveling at what occupies the space still today, really gets my 'Vespa' running." Tom has a good eye behind the lens and is a graphic storyteller, but he'll let you decide as he keeps his camera batteries fully charged and the posts flowing from his creative hideaway in the hills overlooking Ostuni. You can also follow his dispatches via TravelingBoy.com and Anthology Magazine Ireland.


  1. I enjoyed your article thanks. These great panorama paintings were a very special form of communication indeed, bringing a dramatic scene to life and telling a story, in full colour, in a way that must have felt momentous at a time when newsreels were only in their infancy and still just B&W. I’ve visited the Panorama in Lucerne a few times (this shows the desperate surrender of a French forces to the Swiss during the Franco-Prussian war of 1870) and was always impressed by its vivid interpretation.

    Liked by 1 person

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